As Kennedy tells it, he was never thrilled by the station he calls Jurassic FM’s preference that he perform Vivaldi’s Four Seasons, the recording which gave him the world’s biggest-selling classical album on its release in 1989, comparing the request to asking Deep Purple to do Smoke on the Water. When I phone him a few days later at his home in the Polish mountains, the violinist is in good humour, but unrepentant. They’re effectively saying that Hendrix is all right in the Marquee Club, but not in the Albert Hall.” Prejudice in music is completely dreadful. This is much more serious than my feathers being a bit ruffled. If that type of mentality is rampant in the arts, then we still haven’t fixed the problem of prejudice. “If it was applied to people, it would be illegal. “This is musical segregation,” he said as the news broke. The latest came last week, when he pulled out of a gig at the Royal Albert Hall two days before showtime, accusing organisers Classic FM of preventing him performing a Jimi Hendrix tribute, which they deemed “unsuitable for our audience”. T hroughout his career, Nigel Kennedy has had run-ins with what he calls the “self-appointed wielders of power”.
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